Be Right Back (1984/97) by Floris Neusüss Neusüss’s installation, Fotogramminstallation (1984), echoes this disquieting theme. A vacant wooden chair is placed upon a photogram, capturing the shadow of a figure lounging casually upon it. The absence of the occupant haunts the installation; it serves as an account of the transience of time, an idea that also pervades Adam Fuss’s work. 影と実物を総合してイメージで補完する

Be Right Back (1984/97) by Floris Neusüss

Neusüss’s installation, Fotogramminstallation (1984), echoes this disquieting theme. A vacant wooden chair is placed upon a photogram, capturing the shadow of a figure lounging casually upon it. The absence of the occupant haunts the installation; it serves as an account of the transience of time, an idea that also pervades Adam Fuss’s work.

影と実物を総合してイメージで補完する